Portal:Martial arts

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The Martial Arts Portal

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United States Marine practicing martial arts, 2008

Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defence; military and law enforcement applications; competition; physical, mental, and spiritual development; entertainment; and the preservation of a nation's intangible cultural heritage. (Full article...)

Although the earliest evidence of martial arts goes back millennia, the true roots are difficult to reconstruct. Inherent patterns of human aggression which inspire practice of mock combat (in particular wrestling) and optimization of serious close combat as cultural universals are doubtlessly inherited from the pre-human stage and were made into an "art" from the earliest emergence of that concept. Indeed, many universals of martial art are fixed by the specifics of human physiology and not dependent on a specific tradition or era.

Specific martial traditions become identifiable in Classical Antiquity, with disciplines such as shuai jiao, Greek wrestling or those described in the Indian epics or the Spring and Autumn Annals of China. (Full article...)

Selected articles

  • Image 1 Part of the Zliten mosaic from Libya (Leptis Magna), about 2nd century AD. It shows (left to right) a thraex fighting a murmillo, a hoplomachus standing with another murmillo (who is signaling his defeat to the referee), and one of a matched pair. A gladiator (Latin: gladiator, "swordsman", from gladius, "sword") was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalized, and segregated even in death. Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world. (Full article...)
    Part of the Zliten mosaic from Libya (Leptis Magna), about 2nd century AD. It shows (left to right) a thraex fighting a murmillo, a hoplomachus standing with another murmillo (who is signaling his defeat to the referee), and one of a matched pair.



    A gladiator (Latin: gladiator, "swordsman", from gladius, "sword") was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalized, and segregated even in death.

    Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world. (Full article...)
  • Image 2 A pair of tonfa The tonfa (Okinawan: トンファー tonfā, Chinese: 柺; pinyin: guǎi lit. old man's staff / "crutch"), also spelled as tongfa or tuifa, also known as T-baton is a melee weapon with its origins in the armed component of Okinawan martial arts. It consists of a stick with a perpendicular handle attached a third of the way down the length of the stick, and is about 15–20 inches (380–510 mm) long. It was traditionally made from red or white oak, and wielded in pairs. The tonfa is believed to have originated in either China, Okinawa or Southeast Asia, where it is used in the respective fighting styles. (Full article...)
    A pair of tonfa

    The tonfa (Okinawan: トンファー tonfā, Chinese: 柺; pinyin: guǎi lit. old man's staff / "crutch"), also spelled as tongfa or tuifa, also known as T-baton is a melee weapon with its origins in the armed component of Okinawan martial arts. It consists of a stick with a perpendicular handle attached a third of the way down the length of the stick, and is about 15–20 inches (380–510 mm) long. It was traditionally made from red or white oak, and wielded in pairs. The tonfa is believed to have originated in either China, Okinawa or Southeast Asia, where it is used in the respective fighting styles. (Full article...)
  • Image 3 5th-century terracotta sculpture of wrestlers from Uttar Pradesh, India. Malla-yuddha (Sanskrit: मल्लयुद्ध, IAST: mallayuddha) is the traditional form of combat-wrestling originating in the Indian subcontinent. It is closely related to Southeast Asian wrestling styles such as naban and is one of the two ancestors of kushti. Indian wrestling is described in the 13th century Malla Purana. Malla-yuddha incorporates wrestling, joint-breaking, punching, biting, choking and pressure point striking. Matches were traditionally codified into four types which progressed from purely sportive contests of strength to actual full-contact fights known as yuddha. Due to the extreme violence, this final form is generally no longer practised. The second form, wherein the wrestlers attempt to lift each other off the ground for three seconds, still exists in south India. Additionally, malla-yuddha is divided into four categories (see below). Each yuddhan is named after Hindu gods and legendary fighters: Hanumanti - concentrates on technical superiority. Jambuvanti - uses locks and holds to force the opponent into submission. Jarasandhi - concentrates on breaking the limbs and joints while fighting. Bhimaseni - focuses on sheer strength. (Full article...)

    5th-century terracotta sculpture of wrestlers from Uttar Pradesh, India.

    Malla-yuddha (Sanskrit: मल्लयुद्ध, IAST: mallayuddha) is the traditional form of combat-wrestling originating in the Indian subcontinent. It is closely related to Southeast Asian wrestling styles such as naban and is one of the two ancestors of kushti. Indian wrestling is described in the 13th century Malla Purana.

    Malla-yuddha incorporates wrestling, joint-breaking, punching, biting, choking and pressure point striking. Matches were traditionally codified into four types which progressed from purely sportive contests of strength to actual full-contact fights known as yuddha. Due to the extreme violence, this final form is generally no longer practised. The second form, wherein the wrestlers attempt to lift each other off the ground for three seconds, still exists in south India. Additionally, malla-yuddha is divided into four categories (see below). Each yuddhan is named after Hindu gods and legendary fighters:
    • Hanumanti - concentrates on technical superiority.
    • Jambuvanti - uses locks and holds to force the opponent into submission.
    • Jarasandhi - concentrates on breaking the limbs and joints while fighting.
    • Bhimaseni - focuses on sheer strength.
    (Full article...)
  • Image 4 Five types of shuriken A shuriken (Japanese: 手裏剣, lit. 'hand-hidden blade') is a Japanese concealed weapon used by samurai or ninja or in martial arts as a hidden dagger or metsubushi to distract or misdirect. Shuriken are also known as throwing stars, or ninja stars, although they were originally constructed in many different shapes. The major varieties of shuriken are the bō shuriken (棒手裏剣, stick shuriken) and the hira shuriken (平手裏剣, flat shuriken) or shaken (車剣, wheel shuriken, also read as kurumaken). (Full article...)
    Five types of shuriken

    A shuriken (Japanese: 手裏剣, lit. 'hand-hidden blade') is a Japanese concealed weapon used by samurai or ninja or in martial arts as a hidden dagger or metsubushi to distract or misdirect.

    Shuriken are also known as throwing stars, or ninja stars, although they were originally constructed in many different shapes. The major varieties of shuriken are the bō shuriken (棒手裏剣, stick shuriken) and the hira shuriken (平手裏剣, flat shuriken) or shaken (車剣, wheel shuriken, also read as kurumaken). (Full article...)
  • Image 5 The traditional martial arts of the Mainland Southeast Asia are related to one another, and as a group to Indian martial arts. The most salient common feature is Mainland Southeast Asia kickboxing. The region of Mainland Southeast Asia is believed to be the land of Suvarnabhumi that ancient Indians mentioned in Buddhist text and Hindu text. In 790 A.D., a Khmer prince who grew up abroad by the name of Jayavarman II returned to unify the Khmer civilization. In 802 A.D., Jayavarman II established the Khmer Empire, the precursor to modern Cambodia, and declared himself the Chakravatin (universal ruler). Around 850 A.D., Pagan, the ancestor of modern-day Burma, was established by Tibeto-Burman speakers. For 200 years, Pagan remained a small principality until the reign of King Anawrahta. In 1238 A.D., Thailand's first state, Sukhothai, was started when the residents declared independence from the Khmer Empire. In 1353 A.D., Laos's first state, Lan Xang, was started by Fa Ngum with the assistance of the Khmer from Angkor. (Full article...)
    The traditional martial arts of the Mainland Southeast Asia are related to one another, and as a group to Indian martial arts. The most salient common feature is Mainland Southeast Asia kickboxing. The region of Mainland Southeast Asia is believed to be the land of Suvarnabhumi that ancient Indians mentioned in Buddhist text and Hindu text. In 790 A.D., a Khmer prince who grew up abroad by the name of Jayavarman II returned to unify the Khmer civilization. In 802 A.D., Jayavarman II established the Khmer Empire, the precursor to modern Cambodia, and declared himself the Chakravatin (universal ruler). Around 850 A.D., Pagan, the ancestor of modern-day Burma, was established by Tibeto-Burman speakers. For 200 years, Pagan remained a small principality until the reign of King Anawrahta. In 1238 A.D., Thailand's first state, Sukhothai, was started when the residents declared independence from the Khmer Empire. In 1353 A.D., Laos's first state, Lan Xang, was started by Fa Ngum with the assistance of the Khmer from Angkor. (Full article...)
  • Image 6 Iaidō (居合道), abbreviated iai (居合), is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks. Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya), striking or cutting an opponent, shaking blood from the blade, and replacing the sword in the scabbard. While beginning practitioners of iaido may start learning with a wooden sword (bokken) depending on the teaching style of a particular instructor, most of the practitioners use a blunt-edged sword called an iaitō or mogitō. Few, more experienced, iaido practitioners use a sharp-edged sword (shinken). (Full article...)
    Iaidō (居合道), abbreviated iai (居合), is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks.

    Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya), striking or cutting an opponent, shaking blood from the blade, and replacing the sword in the scabbard. While beginning practitioners of iaido may start learning with a wooden sword (bokken) depending on the teaching style of a particular instructor, most of the practitioners use a blunt-edged sword called an iaitō or mogitō. Few, more experienced, iaido practitioners use a sharp-edged sword (shinken). (Full article...)
  • Image 7 Capoeira or the Dance of War by Johann Moritz Rugendas, 1825, published in 1835 Capoeira (Portuguese pronunciation: [kapuˈe(j)ɾɐ]) is an Afro-Brazilian martial art and game that includes elements of dance, acrobatics, music and spirituality. It is known for its acrobatic and complex maneuvers, often involving hands on the ground and inverted kicks. It emphasizes flowing movements rather than fixed stances; the ginga, a rocking step, is usually the focal point of the technique. Though often said to be a martial art disguised as a dance, capoeira served not only as a form of self defense, but also as a way to maintain spirituality and culture. (Full article...)

    Capoeira or the Dance of War by Johann Moritz Rugendas, 1825, published in 1835

    Capoeira (Portuguese pronunciation: [kapuˈe(j)ɾɐ]) is an Afro-Brazilian martial art and game that includes elements of dance, acrobatics, music and spirituality.

    It is known for its acrobatic and complex maneuvers, often involving hands on the ground and inverted kicks. It emphasizes flowing movements rather than fixed stances; the ginga, a rocking step, is usually the focal point of the technique. Though often said to be a martial art disguised as a dance, capoeira served not only as a form of self defense, but also as a way to maintain spirituality and culture. (Full article...)
  • Image 8 Boxing (also known as "western boxing" or "pugilism") is a combat sport and a martial art in which two people, usually wearing protective gloves and other protective equipment such as hand wraps and mouthguards, throw punches at each other for a predetermined amount of time in a boxing ring. Although the term boxing is commonly attributed to western boxing, in which only fists are involved, it has developed in different ways in different geographical areas and cultures of the World. In global terms, "boxing" today is also a set of combat sports focused on striking, in which two opponents face each other in a fight using at least their fists, and possibly involving other actions such as kicks, elbow strikes, knee strikes, and headbutts, depending on the rules. Some of these variants are the bare-knuckle boxing, kickboxing, Muay Thai, Lethwei, savate, and sanda. Boxing techniques have been incorporated into many martial arts, military systems, and other combat sports. (Full article...)
    Boxing (also known as "western boxing" or "pugilism") is a combat sport and a martial art in which two people, usually wearing protective gloves and other protective equipment such as hand wraps and mouthguards, throw punches at each other for a predetermined amount of time in a boxing ring.

    Although the term boxing is commonly attributed to western boxing, in which only fists are involved, it has developed in different ways in different geographical areas and cultures of the World. In global terms, "boxing" today is also a set of combat sports focused on striking, in which two opponents face each other in a fight using at least their fists, and possibly involving other actions such as kicks, elbow strikes, knee strikes, and headbutts, depending on the rules. Some of these variants are the bare-knuckle boxing, kickboxing, Muay Thai, Lethwei, savate, and sanda. Boxing techniques have been incorporated into many martial arts, military systems, and other combat sports. (Full article...)
  • Image 9 Late 19th-century photograph of a sohei fully robed and equipped, armed with a naginata (薙刀) and tachi (太刀) Japanese martial arts refers to the variety of martial arts native to the country of Japan. At least three Japanese terms (budō, bujutsu, and bugei) are used interchangeably with the English phrase Japanese martial arts. The usage of the term budō (武道) to mean martial arts is a modern one: historically the term meant a way of life encompassing physical, spiritual and moral dimensions with a focus on self-improvement, fulfillment or personal growth. The terms bujutsu (武術) and bugei (武芸) have different meanings from budō, at least historically speaking. Bujutsu refers specifically to the practical application of martial tactics and techniques in actual combat. Bugei refers to the adaptation or refinement of those tactics and techniques to facilitate systematic instruction and dissemination within a formal learning environment. (Full article...)
    Late 19th-century photograph of a sohei fully robed and equipped, armed with a naginata (薙刀) and tachi (太刀)


    Japanese martial arts refers to the variety of martial arts native to the country of Japan. At least three Japanese terms (budō, bujutsu, and bugei) are used interchangeably with the English phrase Japanese martial arts.

    The usage of the term budō (武道) to mean martial arts is a modern one: historically the term meant a way of life encompassing physical, spiritual and moral dimensions with a focus on self-improvement, fulfillment or personal growth. The terms bujutsu (武術) and bugei (武芸) have different meanings from budō, at least historically speaking. Bujutsu refers specifically to the practical application of martial tactics and techniques in actual combat. Bugei refers to the adaptation or refinement of those tactics and techniques to facilitate systematic instruction and dissemination within a formal learning environment. (Full article...)
  • Image 10 Family crest of the Takeda clan. Daitō-ryū Aiki-jūjutsu (大東流 合気柔術), originally called Daitō-ryū Jujutsu (大東流柔術, Daitō-ryū Jūjutsu), is a Japanese martial art that first became widely known in the early 20th century under the headmastership of Takeda Sōkaku. Takeda had extensive training in several martial arts (including Kashima Shinden Jikishinkage-ryū and Sumo) and referred to the style he taught as "Daitō-ryū" (literally, "Great Eastern School"). Although the school's traditions claim to extend back centuries in Japanese history there are no known extant records regarding the ryū before Takeda. Whether Takeda is regarded as either the restorer or the founder of the art, the known history of Daitō-ryū begins with him. Takeda's best-known student was Morihei Ueshiba, the founder of Aikido. (Full article...)

    Family crest of the Takeda clan.
    Daitō-ryū Aiki-jūjutsu (大東流 合気柔術), originally called Daitō-ryū Jujutsu (大東流柔術, Daitō-ryū Jūjutsu), is a Japanese martial art that first became widely known in the early 20th century under the headmastership of Takeda Sōkaku. Takeda had extensive training in several martial arts (including Kashima Shinden Jikishinkage-ryū and Sumo) and referred to the style he taught as "Daitō-ryū" (literally, "Great Eastern School"). Although the school's traditions claim to extend back centuries in Japanese history there are no known extant records regarding the ryū before Takeda. Whether Takeda is regarded as either the restorer or the founder of the art, the known history of Daitō-ryū begins with him. Takeda's best-known student was Morihei Ueshiba, the founder of Aikido. (Full article...)
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Selected biography

Teddy Riner at the Cannes Film Festival in 2016.
Teddy Pierre-Marie Riner (/ˈriːnər/, French: [tedi pjɛʁ maʁi ʁinœʁ]; born 7 April 1989) is a French judoka. He has won eleven World Championships gold medals, the first and only judoka (male or female) to do so, and three Olympic gold medals (two individual, one team). He has also won five gold medals at the European Championships. He was a member of the Levallois Sporting Club before joining Paris Saint-Germain in August 2017. (Full article...)


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Selected entertainment

The King of Fighters '94 (KOF '94) is a fighting game released by SNK for the Neo Geo MVS arcade system in 1994, as the first in The King of Fighters series. The game was also released for the Neo Geo home console systems, including the Neo Geo AES and Neo Geo CD. In 2008, KOF '94 was one of sixteen games included in SNK Arcade Classics Vol. 1 for the PlayStation 2, PlayStation Portable and Wii.

KOF '94 is a crossover featuring characters from SNK's fighting game properties Fatal Fury and Art of Fighting. It also includes revised versions of characters from their pre-Neo Geo games Ikari Warriors and Psycho Soldier, as well as original characters created specifically for the game. The plot features the creation of a new King of Fighters tournament created by the criminal Rugal Bernstein and is the only game to take place during the pre-Orochi Saga of the series.

SNK developed KOF '94 with the initial idea of using several games from the company in order to attract gamers who played these games. The characters' designs, as well as its innovative gameplay system based on using teams of three members, were both well received. The success of the game allowed SNK to produce a series of sequels in The King of Fighters series and the series itself eventually became the flagship series of SNK.

In 2004, to commemorate the tenth anniversary of the series, SNK released a remake titled The King of Fighters '94 Re-Bout. It features the original game and a new version with higher resolution graphics and 3D environments.


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Randai performances with silek (silat) as one of the dance's components.
Randai performances with silek (silat) as one of the dance's components.
Credit: Michael J Lowe

Randai (Jawi: رنداي) is a folk theater tradition of the Minangkabau ethnic group in West Sumatra, Indonesia, which incorporates music, singing, dance, drama and the martial art of silat. Randai is usually performed for traditional ceremonies and festivals, and complex stories may span a number of nights. It is performed as a theatre-in-the-round to achieve an equality and unity between audience members and the performers. Randai performances are a synthesis of alternating martial arts dances, songs, and acted scenes. Stories are delivered by both the acting and the singing and are mostly based upon Minangkabau legends and folktales. Randai originated early in the 20th century out of fusion of local martial arts, story-telling and other performance traditions. Men originally played both the male and female characters in the story, but since the 1960s women have also participated. (Full article...)


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Jeet Kune Do favors formlessness so that it can assume all forms and since Jeet Kune Do has no style, it can fit in with all styles. As a result, Jeet Kune Do utilizes all ways and is bound by none and, likewise, uses any techniques which serve its end.


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