The 1950s (pronounced nineteen-fifties; commonly abbreviated as the "Fifties" or the "'50s") (among other variants) was a decade that began on January 1, 1950, and ended on December 31, 1959.
Logo for celebrations commemorating the 50th anniversary of the treaty in 2008
The US–UK Mutual Defense Agreement, or the 1958 UK–US Mutual Defence Agreement, is a bilateral treaty between the United States and the United Kingdom on nuclear weapons co-operation. The treaty's full name is Agreement between the Government of the United States of America and the Government of the United Kingdom of Great Britain and Northern Ireland for Cooperation on the uses of Atomic Energy for Mutual Defense Purposes. It allows the US and the UK to exchange nuclear materials, technology and information. The US has nuclear co-operation agreements with other countries, including France and other NATO countries, but this agreement is by far the most comprehensive. Because of the agreement's strategic value to Britain, Harold Macmillan (the Prime Minister who presided over the United Kingdom's entry into the agreement) called it "the Great Prize".
The treaty was signed on 3 July 1958 after the Soviet Union had shocked the American public with the launch of Sputnik on 4 October 1957, and the British hydrogen bomb programme had successfully tested a thermonuclear device in the Operation Grapple test on 8 November. The special relationship proved mutually beneficial, both militarily and economically. Britain soon became dependent on the United States for its nuclear weapons since it agreed to limit their nuclear program with the agreement of shared technology. The treaty allowed American nuclear weapons to be supplied to Britain through Project E for use by the Royal Air Force and British Army of the Rhine until the early 1990s when the UK became fully independent in designing and manufacturing its own warheads. (Full article...)
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The Hideous Sun Demon (sometimes billed as The Sun Demon, or in the UK as Blood on His Lips) is a 1958 American science fictionhorror film produced, directed, and cowritten by Robert Clarke, who also starred in the title role. It also stars Patricia Manning, Nan Peterson, Patrick Whyte, and Fred La Porta. The film focuses on a scientist (portrayed by Clarke) who is exposed to a radioactive isotope and soon finds out that it comes with horrifying consequences.
The film was inspired by the financial success of The Astounding She-Monster, in which Clarke had starred earlier that year. The crew was made up of University of Southern California film students, while the cast consisted of unknowns in addition to Clarke's family and friends. Shooting took place under three different cinematographers over 12 consecutive weekends. Originally budgeted at $10,000, the film ended up costing $50,000. Distributed by Clarke's own Pacific International Pictures, The Hideous Sun Demon premiered on August 29, 1958 as part of a double bill with Roger Corman's Attack of the Crab Monsters. The film received mostly negative reviews upon its release, but has since become a cult film and has been referenced and parodied many times. An unauthorized sequel, the 1965 short filmWrath of the Sun Demon, was produced by Donald F. Glut. Two redubbed versions of the original film have been released: the comedic Hideous Sun Demon: Special Edition and What's Up, Hideous Sun Demon (also known as Revenge of the Sun Demon), the latter of which was produced with Clarke's permission. (Full article...)
The film's storyline concerns a newlywed woman who believes she is being haunted by the ghost of her new husband's previous wife. The simplistic musical score centres on the dies irae. (Full article...)
The film's iconic soundtrack was written by songwriters Mike Stoller and Jerry Leiber. The dance sequence to the film's title song is often cited as "Presley's greatest moment on screen." (Full article...)
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Missamma (transl. Miss Madam) is a 1955 Indian Telugu-language romantic comedy film directed by L. V. Prasad. It was produced by Nagi Reddi and Chakrapani on Vijaya Productions banner. The film stars N. T. Rama Rao, Savitri, Akkineni Nageswara Rao and Jamuna. The script was adapted by Chakrapani from Rabindranath Maitra's Bengali play Manmoyee Girls' School. It revolves around two unemployed people — M. T. Rao and Mary — who pose as a married couple to obtain employment in a high school founded by Gopalam, a zamindar. As Rao and Mary fall in love, Gopalam's nephew A. K. Raju learns that Mary is Gopalam's missing elder daughter Mahalakshmi; she is unaware of her true identity.
Production began in early 1954 with P. Bhanumathi cast as the female lead, though she would eventually be replaced by Savitri. The film was simultaneously shot in Tamil as Missiamma, with an altered cast. Principal photography ended that December; filming was delayed because of Bhanumathi's exit after filming a few reels, and the difficulty of managing two casts simultaneously. C. P. Jambulingam and Kalyanam edited the film; Marcus Bartley was the cinematographer, and S. Rajeswara Rao composed the music. Missamma focused on social issues such as unemployment, corruption, and freedom of worship. (Full article...)
Fellini described La Strada as "a complete catalogue of my entire mythological world, a dangerous representation of my identity that was undertaken with no precedent whatsoever". As a result, the film demanded more time and effort than any of his other works, before or later. The development process was long and tortuous; there were problems during production, including insecure financial backing, problematic casting, and numerous delays. Finally, just before the production completed shooting, Fellini suffered a nervous breakdown that required medical treatment so that he could complete principal photography. Initial critical reaction was harsh, and the film's screening at the Venice Film Festival was the occasion of a bitter controversy that escalated into a public brawl between Fellini's supporters and detractors. (Full article...)
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Theatrical release poster
The Incredible Shrinking Man is a 1957 American science fiction film directed by Jack Arnold, based on Richard Matheson's 1956 novel, The Shrinking Man. The film stars Grant Williams as Scott and Randy Stuart as Scott's wife, Louise. While relaxing on a boat, Scott is enveloped by a strange fog. Months later, he discovers that he appears to be shrinking. By the time Scott has reached the height of a small boy, his condition becomes known to the public. When he learns there is no cure for his condition, he lashes out at his wife. As Scott shrinks to the point where he can fit into a dollhouse, he has a battle with his family cat, leaving him lost and alone in his basement, where he is now smaller than the average insect.
The film's storyline was expanded by Matheson after he had sold the story to Universal-International Pictures Co., Inc. He also completed the novel upon which the film is based while production was underway. Matheson's script was initially written in flashbacks, and Richard Alan Simmons rewrote it using a more conventional narrative structure. Director Jack Arnold initially wanted Dan O'Herlihy to play Scott, but O'Herlihy turned down the role, leading Universal to sign Williams as the lead. Filming began on May 31, 1956. Scenes involving special effects were shot throughout production, while others used the large sets of Universal's backlot. Production went over budget, and filming had to be extended; certain special effects shots required reshooting. Williams was constantly being injured on set. (Full article...)
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Rififi (French: Du rififi chez les hommes) is a 1955 French crime film adaptation of Auguste Le Breton's novel of the same name. Directed by American blacklisted filmmaker Jules Dassin, the film stars Jean Servais as the aging gangster Tony "le Stéphanois", Carl Möhner as Jo "le Suédois", Robert Manuel as Mario Farrati, and Jules Dassin as César "le Milanais". The foursome band together to commit an almost impossible theft, the burglary of an exclusive jewelry shop in the Rue de la Paix. The centerpiece of the film is an intricate half-hour heist scene depicting the crime in detail, shot in near silence, without dialogue or music. The fictional burglary has been mimicked by criminals in actual crimes around the world.
After he was blacklisted from Hollywood, Dassin found work in France where he was asked to direct Rififi. Despite his distaste for parts of the original novel, Dassin agreed to direct the film. He shot Rififi while working with a low budget, without a star cast, and with the production staff working for low wages. (Full article...)
Darah dan Doa ([daˈrahˈdandoˈa]; Indonesian for Blood and Prayer, released internationally as The Long March) is a 1950 Indonesian war film directed and produced by Usmar Ismail, telling the story of the Siliwangi Division and its leader Captain Sudarto on a march to West Java. Following Ismail's Dutch-produced Tjitra (1949), Darah dan Doa is often cited as the first 'Indonesian' film, and the film's first day of shooting – 30 March – is celebrated in Indonesia as National Film Day.
Produced on a budget of 350,000 rupiah and intended to be screened at the Cannes Film Festival, financial difficulties led production of Darah dan Doa to almost stop before the director received financial backing. After raising controversy for its subject material, the film underwent censorship and was finally released to commercial failure. Retrospective analysis has, however, been more positive, and Ismail has been dubbed the "father of Indonesian film". (Full article...)
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I Vampiri (lit. The Vampires) is a 1957 Italian horror film directed by Riccardo Freda and completed by the film's cinematographer, Mario Bava. It stars Gianna Maria Canale, Carlo D'Angelo and Dario Michaelis. The film is about a series of murders on young women who are found with their blood drained. The newspapers report on a killer known as the Vampire, which prompts young journalist Pierre Lantin to research the crimes. Lantin investigates the mysterious Du Grand family who lives in a castle occupied by Gisele Du Grand who is in love with Lantin. She lives with her aunt, who hides her face in a veil, as well as the scientist Julian Du Grand, who is trying to find the secret to eternal youth.
The film was developed during a growth in the Italian film industry which allowed for the market to expand beyond a local Italian audience and would allow Italian film makers to explore new genres of filmmaking. Freda made a deal with producers at the Italian film studio Titanus to create a low budget horror film by writing a story in one day and filming it in two weeks. The producers agreed and Freda began filming. On the final day of shooting, Freda left the set which led to the cinematographer Mario Bava to direct the rest of the film, which changed various plot points and added the inclusion of stock footage. (Full article...)
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Nadodi Mannan (transl. The Vagabond and the King) is a 1958 Indian Tamil-language action adventure film directed by M. G. Ramachandran in his debut as a filmmaker. He stars in dual roles alongside P. Bhanumathi, M. N. Rajam and B. Saroja Devi. P. S. Veerappa, M. N. Nambiar, M. G. Chakrapani, T. K. Balachandran and Chandrababu play supporting roles. The film revolves around a king being replaced by a look-alike after getting abducted on the eve of his coronation. The look-alike begins to implement social and economic reforms to uplift the poor which irks the kingdom's high priest, who has kidnapped the very person the look-alike resembles. The rest of the film shows how the look-alike saves the man he impersonates and defeats the high priest.
Made on a budget of ₹1.8 million, Ramachandran co-produced the film with Chakrapani and R. M. Veerappan under the banner of Em.Gee.Yar Pictures. C. Kuppusami, K. Srinivasan, and P. Neelakantan were in charge of the screenplay. Kannadasan and Ravindar undertook the responsibility of writing the dialogues. The cinematography was handled by G. K. Ramu while K. Perumal and C. P. Jambulingam did the editing. S. M. Subbaiah Naidu and N. S. Balakrishnan composed the film's soundtrack and score. Songs from the soundtrack like "Thoongathey Thambi Thoongathey", "Thadukkathey", "Summa Kedandha", and "Senthamizhe" became popular hits. (Full article...)
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Theatrical release poster
Warning from Space (Japanese: 宇宙人東京に現わる, Hepburn: Uchūjin Tōkyō ni arawaru, lit.'Spacemen Appear in Tokyo') is a Japanese tokusatsuscience fiction film directed by Koji Shima. Produced and distributed by Daiei Film, it was the first Japanese science fiction film to be produced in color and predates Daiei's most iconic tokusatsu characters, Gamera and Daimajin. In the film's plot, starfish-like aliens disguised as humans travel to Earth to warn of the imminent collision of a rogue planet and Earth. As the planet rapidly accelerates toward Earth, a nuclear device is created at the last minute and destroys the approaching world.
The film was one of many early Japanese monster films quickly produced after the success of Toho's Godzilla in 1954. After release, the film was met with negative reviews, with critics calling it "bizarre" and accusing it of using science fiction clichés. Warning from Space influenced many other Japanese science fiction films, such as Gorath. The film, along with other 1950s tokusatsu science fiction films, influenced director Stanley Kubrick, who would later direct 2001: A Space Odyssey. (Full article...)
Pelli Chesi Choodu deals with the negative effects of the dowry system in India through the marital life of Venkata Ramana (Rama Rao) and Ammadu (Varalakshmi). The film's production began after the release of Vijaya Productions' Pathala Bhairavi (1951). Marcus Bartley was recruited as the cinematographer and the film was edited by C. P. Jambulingam and M. S. Money. Ghantasala composed the film's music. (Full article...)
The following are images from various 1950s-related articles on Wikipedia.
Image 1In 1957, the Soviet Union launches to space Sputnik 1, the first artificial satellite (from 1950s)
Image 2The 1950s was the beginning period of rapid television ownership. In their infancy, television screens existed in many forms, including round. (from 1950s)
Image 7Castle Bravo: A 15 megaton hydrogen bomb experiment conducted by the United States in 1954. Photographed 78 miles (125 kilometers) from the explosion epicenter. (from 1950s)
Image 8Motorcycle clubs became more prominent in the 1950s. Pictured is a vintage 1950s motorcycle toy. (from 1950s)
Image 9Elvis Presley was the best-selling musical artist of the decade. He is considered as the leading figure of the rock and roll and rockabilly movement of the 1950s. (from 1950s)
Image 11Top, L-R: U.S. Marines engaged in street fighting during the Korean War, c. late September 1950; The first polio vaccine is developed by Jonas Salk. Centre, L-R: US tests its first thermonuclear bomb with code name Ivy Mike in 1952. A 1954 thermonuclear test, code named Castle Romeo; In 1959, Fidel Castro overthrows Fulgencio Batista in the Cuban Revolution, which results in the creation of the first and only communist government in the Western Hemisphere; Elvis Presley becomes the leading figure of the newly popular music genre of rock and roll in the mid-1950s. Bottom, L-R: Smoke rises from oil tanks on Port Said following the invasion of Egypt by Israel, United Kingdom and France as part of the Suez Crisis in late 1956; The Hungarian Revolution of 1956; The Soviet Union launches Sputnik 1, the first artificial satellite to orbit the Earth, in October 1957. This starts the Space Race between the Soviet Union and the United States. (from 1950s)
Image 15Francis Crick and James Watson discover the spiral structure of DNA (from 1950s)
Image 16Pez candies were released in the 1950s, and became well known in pop culture. (from 1950s)
Image 17In the 1950s lengthy poodle skirts were popular with women, as were leather jackets with men. Pictured is a 1950s leather jacket label. (from 1950s)
Image 24The jukebox was particularly popular in the 1950s, and was used as entertainment in public establishments such as diners and malt/soda shops. (from 1950s)
Image 29Israeli troops preparing for combat in the Sinai peninsula during the Suez Crisis. (from 1950s)
Image 30Harry Belafonte in 1954, whose breakthrough album Calypso (1956) was the first million-selling LP by a single artist. (from 1950s)
Image 31The creation and expansion of many multinational restaurant chains still in existence today, including the likes of McDonald's (as a franchise), IHOP, Pizza Hut and Burger King, all occurred in the 1950s. (from 1950s)
Image 32An American family watching television together in 1958. (from 1950s)
... that Patricia Banks-Edmiston was prevented from becoming a flight attendant during the 1950s because she was black?
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